The 2006 exhibition Obra Reciente, held at Galería Lucía de la Puente, marked a defining moment in Pedro Peschiera’s practice. The works presented—bells, bowls, temples, empty altars—functioned as precise, silent structures that suggested a hidden presence without revealing it. In this series, the tension between strict formal construction and the intensity of color became central, shaping a body of work that demanded slow, focused looking. This section revisits that pivotal moment, when structure and color began to drive the evolution of his later painting.